REVIEW: SuG - MISSING



Oshare Kei favorites SuG are back after ditching former manager, PS Company, with a new look and sound. Their first single coming out of a year-long hiatus, “MISSING”, is both a continuation of and departure from the sound we heard them leave PS Company on – but better in every way.



Tracklist:
1. MISSING
2. Rolling!!
3. 0 song

The first track, “MISSING”, sticks out the most, which is usually the case for any single. However, this track is truly stellar – dynamic in sound beyond what SuG had been producing for several years prior to this, it is a side of them we have only caught glimpses of during their most brilliant tracks since going major. The song captures an array of sounds, from the rocking beginning to a slow break in the middle. This song’s particular diverse soundscape is perhaps matched only by the equally unrelenting assault on the senses that is the music video for it.

Track two, “Rolling!!”, eschews the more dramatic atmosphere of “MISSING”, for a more upbeat, typical Oshare Kei number. By saying it is typical, I don’t mean to say it doesn’t have the potential to stay with you, in fact quite the opposite, the song is ripe for repeated listens, and will likely get stuck in one’s head as much as “MISSING”. With this track it becomes abundantly clear that SuG has come back with what appear to be even better songwriting skills, particularly in the area of making songs catchy. “Rolling!!” is energetic and fun, what one would expect from a band that released a song called “Crazy Bunny Coaster”.

The third track, “0 song”, is in many ways a standard SuG ballad, but similar to the other two tracks on this disc, a marked improvement over previous material. The track makes use of Takeru’s half-rap skills more so than the other two tracks on the album, and also showcases more restrained guitar playing that builds an atmosphere throughout the song. Overall, for a SuG ballad, this has remarkably more depth that tracks on “Lollipop Kingdom” or “Thrill Ride Pirates”.

While this single marks a departure from their PS Company days, it is very evident that this picks up the thread of experimentation from their independent days, boldly experimenting with an evolving sound. However, unlike some previous times SuG has experimented or tried to change their sound, this single, especially the title track, utterly succeeds. I have no doubt in my mind that their next album will build on this new sound even further, and in that case, we are looking at the next SuG album being the best one yet.


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